Μετάφραση και ανάλυση λέξεων από την τεχνητή νοημοσύνη ChatGPT
Σε αυτήν τη σελίδα μπορείτε να λάβετε μια λεπτομερή ανάλυση μιας λέξης ή μιας φράσης, η οποία δημιουργήθηκε χρησιμοποιώντας το ChatGPT, την καλύτερη τεχνολογία τεχνητής νοημοσύνης μέχρι σήμερα:
- πώς χρησιμοποιείται η λέξη
- συχνότητα χρήσης
- χρησιμοποιείται πιο συχνά στον προφορικό ή γραπτό λόγο
- επιλογές μετάφρασης λέξεων
- παραδείγματα χρήσης (πολλές φράσεις με μετάφραση)
- ετυμολογία
rustle of leaves - translation to γερμανικά
![''[[The Expulsion from the Garden of Eden]]'', by [[Masaccio]], before and after restoration. It was painted in 1425, covered up in 1680, and restored in 1980.](https://commons.wikimedia.org/wiki/Special:FilePath/Masaccio-TheExpulsionOfAdamAndEveFromEden-Restoration.jpg?width=200 "''[[The Expulsion from the Garden of Eden]]'', by [[Masaccio]], before and after restoration. It was painted in 1425, covered up in 1680, and restored in 1980.")
![chaste]]" [[Pope]]s; later, most such coverings were removed.](https://commons.wikimedia.org/wiki/Special:FilePath/Mercury fig leaf.jpg?width=200 "chaste]]\" [[Pope]]s; later, most such coverings were removed.")
Ορισμός
Βικιπαίδεια
Rustle noise is noise consisting of aperiodic pulses characterized by the average time between those pulses (such as the mean time interval between clicks of a Geiger counter), known as rustle time (Schouten ?). Rustle time is determined by the fineness of sand, seeds, or shot in rattles, contributes heavily to the sound of sizzle cymbals, drum snares, drum rolls, and string drums, and makes subtle differences in string instrument sounds. Rustle time in strings is affected by different weights and widths of bows and by types of hair and rosin in strings. The concept is also applicable to flutter-tonguing, brass and woodwind growls, resonated vocal fry in woodwinds, and eructation sounds in some woodwinds. Robert Erickson suggests the exploration of accelerando-ritardando scales producible on some acoustic instruments and further variations in rustle noise "because this apparently minor aspect of musical sounds has a disproportionately large importance for higher levels--textures, ensemble timbres, [and] contrasts between music events." (Erickson 1975, p. 71-72)
